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lazyevaluationranch:

3/6 Don’t get goats, they say. Goats are always getting into trouble and eating the orchard, they say. But do they warn you not to leave your goat alone with a synthesizer unless you want her working on her distant but emotionally charged coldwave masterpiece? No. They do not warn you about that at all.

lazyevaluationranch:

3/6 Don’t get goats, they say. Goats are always getting into trouble and eating the orchard, they say. But do they warn you not to leave your goat alone with a synthesizer unless you want her working on her distant but emotionally charged coldwave masterpiece? No. They do not warn you about that at all.

(via babygoatsandfriends)

minnepixel:

Spring on the Stone Arch Bridge.

minnepixel:

Spring on the Stone Arch Bridge.

(via stuffaboutminneapolis)

lonelyheartsdeathmetal:

draggedqueens:

northfalls:

natalie dormer | GQ magazine, april 2014

wow

Jesus in the temple, turning over tables!!

(via notaluallen)

windspiritz:

DogyWorrior

scenes from my dog’s mysterious past

(via chead)

johndisneys:

The Shining | 1981, Dir. Stanley Kubrick

(via chead)

thatbirdwhostolethecrackers:

givemeinternet:

Saw a guy protesting winter

glad to see someone actually doing something about it unlike you all just complaining

thatbirdwhostolethecrackers:

givemeinternet:

Saw a guy protesting winter

glad to see someone actually doing something about it unlike you all just complaining

(via pardonmewhileipanic)

imdrivingsucka:

failingupwards:

vampirestatebuilding:

Goodnight sweet prince.

In honor of imdrivingsucka giving birth to the reincarnation of Oderus last night…

And he shall be the savior of thrash.

imdrivingsucka:

failingupwards:

vampirestatebuilding:

Goodnight sweet prince.

In honor of imdrivingsucka giving birth to the reincarnation of Oderus last night…

And he shall be the savior of thrash.

The man of the world lives in nuance and by degrees, he lives in a mixture of light and shadow, in confused enchantment or irresolute mediocrity: in the middle. Tragic man lives in the extreme tension between contraries, going from a yes and no confusedly merged back to a yes and a no that are clear and clearly preserved in their opposition. He does not see man as a passable mixture of middling qualities and honest failings, but as an unendurable meeting of extreme grandeur and extreme destitution, an incongruous nothingness in which the two infinites collide.

But how does man become tragic man? And what does he gain by it? What he loses is evident: ease, forgetfulness, tranquil malaise, dull pleasures, a tender inconstancy, and an almost agreeable nausea, neither truth nor lies, but the illusion of both—a mystified life that some might charge is not a life, but that is a life of appearances one will do anything not to lose. But tragic man is one whose existence has suddenly become transformed: from a play of light and shadow it has become both an exigency of absolute clarity and an encounter with heavy darkness, the summons to a true speech and the trial of an infinitely silent space. Finally, it has become the presence of a world incapable of justice and offering only derisory compromise when it is the absolute, and the absolute alone, that is required: hence an uninhabitable world in which one is obliged to dwell. For tragic man, everything has instantly hardened, everything is the face to face of incompatibilities.
— Blanchot, The Infinite Conversation (via tiredshoes)

(via sylvides)

astrolocherry:

The Moon blocks the Sun for Cancer, Saturn forces Capricorn to stand in their own shadow, and the Sun is the furthest away from Pluto’s Scorpio

sometimes these signs have to motion through life without their light

I was given my first story to check. I vaguely remember that it was something about new mutual fund products, and it was written by a freelancer. It sounded good — that is, until I started checking it. In essence, the entire thing was wrong. Up until that point, words on the page, in their unambiguous black and white, had always conveyed such authority that I didn’t question them. I never read that way again. An editor once said to me that good writers were really dangerous because you could be so seduced by their writing that you simply drank in their unsupported leaps of logic.
THEME BY PARTI